Surfacing II: A Trio of Exhibitions by MUSE Faculty and Students

The trio of exhibitions draw attention to ideas, individuals, and cultural and artistic forms that are worthy of further examination. They merit surfacing.

Threads of Humanity: The Significance of Headwear. Curated and installed by the faculty and students of “MUSE 354: Exhibition Design”, this exhibit features thirty superb headpieces from around the world, partnered with a selection of travel posters from RIT’s own Cary Graphic Arts Collection. 

As a society grows and ideals change, the value of a headpiece also transforms, and consequently, records its country’s history in an indelible way. “Threads of Humanity: The Significance of Headwear” explores how a seemingly mundane item can communicate much about a society’s culture, specifically, its craftsmanship, occupations, traditions, and identity. The visitor is invited to examine these themes, learn about the specificities and commonalities of the items on display, and reflect on the values of headwear in their own culture.

 This exhibit was made possible by: Stacey Miller, collection owner of the loaned headpieces on display, Shane Durgee, Bevier Gallery Coordinator, Amelia J Hugill-Fontanel, Associate Curator in the Cary Collection, Genesee Country Village & Museum and the generous financial support of the College of Liberal Arts’ Dean’s Office. 

Cambodia: A Culture After Genocide. Von Stevens (class of 2025) presents “Cambodia: A Culture After Genocide” which tells the story of Cambodia after a devastating genocide by the Khmer Rouge from 1975 to 1979 through the use of a personal collection that covers the topics of Buddhism, performing arts and textiles which reflect not only Cambodian cultural heritage but also identity.

Stories in Style.  Riley Mason (class of 2025) presents “Stories in Style,” an interactive exhibit which explores connections between modern fashion and the Bruce and Susan Greene Costume Collection at Genesee Country Village & Museum.