David Schnuckel Headshot

David Schnuckel

Charlotte Mowris Fellow

School for American Crafts
College of Art and Design

585-208-0178

David Schnuckel

Charlotte Mowris Fellow

School for American Crafts
College of Art and Design

Education

BFA, Anderson University; MFA, Rochester Institute of Technology

585-208-0178

Areas of Expertise

Select Scholarship

Shows/Exhibits/Installations
Schnuckel, David. Venice and American Studio Glass. Sep. 2020. Le Stanze del Vetro, Venice. Exhibit.
Schnuckel, David Alan. River of Shadows. Nov. 2020. Hellery Gallery, New York, NY. Exhibit.
Schnuckel, David. Visible Voices. Jun. 2020. City Art Space, Rochester. Exhibit.
Schnuckel, David. Acquiesce. 14 Feb. 2019. Appalachian Center for Craft, Smithville, TN. Exhibit.
Schnuckel, David. Acquiesce. 14 Feb. 2019. Appalachian Center for Craft, Smithville, TN. Exhibit.
Schnuckel, David. Acquiesce. 14 Feb. 2019. Appalachian Center for Craft, Smithville, TN. Exhibit.
Schnuckel, David. Visions in Glass. 9 Mar. 2019. Morean Art Center, St. Petersberg, FL. Exhibit.
Schnuckel, David. Just Folks. 1 Mar. 2019. RIT City Art Space, Rochester, NY. Exhibit.
Schnuckel, David. r e | v e r b. 6 Sep. 2019. RIT City Art Space, ROCHESTER, NY. Exhibit.
Schnuckel, David. CAD Faculty Exhibition. 5 Sep. 2019. William Harris Gallery, Rochester, NY. Exhibit.
Schnuckel, David. Momentum. 13 Sep. 2018. Secor Building, Toledo, OH. Exhibit.
Schnuckel, David. Storytellers. 8 Jun. 2018. Morean Arts Center, St. Petersburg, FL. Exhibit.
Schnuckel, David. RIT College of Art and Design Faculty Show. 6 Sep. 2018. William Harris Gallery, Rochester, NY. Exhibit.
Schnuckel, David. The Collection. Sep. 2017. Glazenhuis, Lommel, Belgium. Exhibit.
Schnuckel, David. Momentum. Sep. 2017. Secor Building, Toledo, Ohio. Exhibit.
Schnuckel, David. Gathering. Sep. 2017. Gallery 924, Indianapolis, Indiana. Exhibit.
Schnuckel, David. CIAS Faculty Exhibition. Sep. 2017. William Harris Gallery, Rochester, New York. Exhibit.
Schnuckel, David. Art in Craft Media. Oct. 2017. Burchfield Penney Art Center, Buffalo, New York. Exhibit.
Schnuckel, David. Danger and Beauty. Mar. 2017. ICI LABAS Gallery, Beijing, China. Exhibit.
Schnuckel, David. Up/Rooted. Feb. 2017. Brookline Arts Center, Brookline, MA. Exhibit.
Schnuckel, David. Glass Invitational 2013. Oct. 2013. Exhibit A, Corning, NY. Exhibit.
Schnuckel, David. Art in Craft Media. n.d. Burchfield Penney Art Center, http://www.burchfieldpenney.org/exhibitions/exhibition:04-08-2013-04-08-2013-art-in-craft-media-2013/. Exhibit.
Schnuckel, David. Goblets of Fire. Oct. 2013. Gravers Lane Gallery, Philadelphia, PA. Exhibit.
Schnuckel, David. The Art of the Fellowship. Apr. 2013. Museum of American Glass, Millville, NJ. Exhibit.
Published Review
Harty, Kim. "Dreams of Venice." Rev. of Venice and American Studio Glass, eds. Tina Oldknow and William Warmus. Venice and American Studio Glass Sep. 2020: 100-101. Print.
Warmus, Tina Oldknow and William. "Engaging the Vessel." Rev. of Venice and American Studio Glass, eds. Tina Oldknow and William Warmus. Venice and American Studio Glass Sep. 2020: 263. Print.
Harty, Kim. "River of Shadows Exhibition Catalog." Rev. of River of Shadows, by Kim Harty. River of Shadows Nov. 2020: n/a. Web.
Page, Andrew. "The Potent Relationship between Photography and Glass." Rev. of The Potent Relationship between Photography and Glass, by Andrew Page. The UrbanGlass Hot Sheet Nov. 2020: n/a. Web.
Schnuckel, David. "2018 Conference Spotlight." Rev. of Pre-thinking “The Glass Path” with Master Simone Cenedese, ed. Michael Hernandez. GASnews Dec. 2017: 9-10. Web.
Schnuckel, David. "A New Vernacular." Rev. of Young Glass 2017 Speaks to the Trajectory of Contemporary Glass, ed. Michael Hernandez. GASnews Sep. 2017: 9-11. Web.
Schnuckel, David. "Panel Conjecture." Rev. of Performance Anxiety: A Critical Lens on Glass Performance Art, ed. Michael Hernandez. GASnews Jun. 2017: 10-12. Web.
Invited Keynote/Presentation
Schnuckel, David. "River of Shadows." River of Shadows exhibition talk. Heller Gallery. New York, NY. 21 Nov. 2020. Lecture.
Schnuckel, David Alan. "Artist Talk." Glass and Professional Practices. Salem Community College. Carney's Point, NJ. 19 Oct. 2020. Lecture.
Schnuckel, David. "G L A S S O G R A P H Y 2." Medium Matters. The Pilchuck Glass School. Stanwood, WA. 7 Jun. 2019. Lecture.
Schnuckel, David. "Glassolalia." Session 4. Haystack Mountain School of Crafts. Deer isle, ME. 28 Jul. 2019. Lecture.
Schnuckel, David. "Gallery Talk." Just Folks Exhibition. RIT City Art Space. Rochester, NY. 23 Mar. 2019. Address.
Schnuckel, David. "Word Usage." 58th Annual Seminar on Glass. The Corning Museum of Glass. Corning, NY. 18 Oct. 2019. Address.
Schnuckel, David. "G L A S S O G R A P H Y." Session 3. Pilchuck Glass School. Stanwood, WA. 19 Jul. 2018. Lecture.
Schnuckel, David. "Congruence." Visiting Artist. Cleveland Institute of Art. Cleveland, OH. 25 Apr. 2018. Lecture.
Schnuckel, David. "Titrations." Robert M. Minkoff Foundation Academic Symposium. Robert M. Minkoff Foundation. Brooklyn, NY. 13 Oct. 2017. Conference Presentation.
Schnuckel, David. "Artist Talk." Visiting Artist Workshop. Toyama City Institute of Glass Art. Toyama City, Japan, Japan. 23 Sep. 2017. Lecture.
Schnuckel, David. "Artist Talk." Visiting Artist Workshop. Kanazawa Utatsuyama Kogei Kobo. Kanazawa, Japan, Japan. 10 Oct. 2017. Lecture.
Schnuckel, David. "Artist Talk." Inspiration in the Highlands. North Lands Creative. Lybster, Caithness, Scotland, Scotland. 15 Aug. 2017. Lecture.
Schnuckel, David. "Artist Talk." Glassolalia. The Studio at The Corning Museum of Glass. Corning, NY. 11 Jul. 2017. Lecture.
Schnuckel, David. "Artist Talk." Visiting Artist Workshop. University of Hawai’i Manoa. Honolulu, HI. 18 Jan. 2017. Lecture.
Schnuckel, David. "Image and Word Within A Sculptural Context." UWSP Visiting Artist Series 2013. University of Wisonsin Stevens Point. Stevens Point, WI. 22 Jan. 2013. Lecture.
Schnuckel, David. "Image and Word Within A Sculptural Context." International Student Symposium. North Lands Glass Center. Lybster, Caithness, Scotland. 28 Jun. 2013. Lecture.
Invited Article/Publication
Schnuckel, David. "Juror's Essay." New Glass Review 41. (2020). Print.
Schnuckel, David. "25 Blurbs." New Glass Review 41. (2020). Print.
Schnuckel, David. "(in)Coherence." GASnews, Vol.31, Issue 1. (2020). Web.
Schnuckel, David. "Delicate Matter(s)." GASnews, Vol.31, Issue 3. (2020). Web.
Schnuckel, David. "Material Made Over." GASnews, Vol.31, Issue 4. (2020). Web.
Schnuckel, David. "Cartograph." International Biennale of Glass Catalog. (2019). Print.
Schnuckel, David. "Guerilla Visual Tactics." GASnews, Vol.29, Issue 4. (2019). Web.
Schnuckel, David. "David Schnuckel." Momentum Exhibition Catalog. (2018). Web.
Schnuckel, David. "2018 Conference Spotlight." GASnews. (2018). Web.
Schnuckel, David. "Shades of Approach." GASnews. (2018). Web.
Schnuckel, David. "Pebbles in the Pond." GASnews. (2018). Web.
Full Length Book
Schnuckel, David, et al. G L A S S O G R A P H Y : the Journal. Volume 2 ed. Rochester, NY: Lulu xPress, 2019. Print.
Schnuckel, David, et al. Glassography: The Journal. Volume I ed. Rochester, NY: Lulu, 2018. Print.
Schnuckel, David. Meaningful Gibberish. 1st ed. Rochester, NY: Blurb, 2017. Web.
Museum Collection Acquisition
Schnuckel, David, et al. G L A S S O G R A P H Y : the Journal, Volume 2. Published writing. The Rakow Research Library of The Corning Museum of Glass. (2019).
Schnuckel, David, et al. G L A S S O G R A P H Y : the Journal, Volume 2. Published writing. The Piichuck Glass School. (2019).
Schnuckel, David. Glassography: The Journal. Printed Book. The Corning Museum of Glass (Rakow Research Library). (2018).
Schnuckel, David. Glassography: The Journal. Printed Book. Pilchuck Glass School. (2018).
Schnuckel, David. "Exothermic Chance Map Studies". Blown Glass; Paper. Toyama City Institute of Glass Art. (2017).
Schnuckel, David. "Slump Trajectory (rsu)". Blown and Kiln Formed Glass; Wood. Toyama City Institute of Glass Art. (2017).
Schnuckel, David. "Slump Trajectory (usd)". Blown and Kiln Formed Glass; Wood. Toyama City Institute of Glass Art. (2017).
Schnuckel, David. "Cartograph". Blown and Kiln Formed Glass; Video. Toyama City Institute of Glass Art. (2017).
Schnuckel, David. "Muse Collective". Blown Glass; Paper, Twine. Toyama City Institute of Glass Art. (2017).
Schnuckel, David. "Pastorelli Trajectory (rsu)". Blown Glass; Video. Toyama City Institute of Glass Art. (2017).
Schnuckel, David. "Pastorelli Trajectory (usd)". Blown Glass; Video. Toyama City Institute of Glass Art. (2017).
Schnuckel, David. "Exothermic Chance Map Studies". Blown Glass; Paper. Kanazawa Utatsuyama Kogei Kobo. (2017).
Schnuckel, David. "Cartograph". Blown and Kiln Formed Glass. Kanazawa Utatsuyama Kogei Kobo. (2017).
National/International Competition Award Winner
Schnuckel, David. Glass Art Society. Top Three. St. Petersberg, Florida, 2019.
Schnuckel, David. The Arts Commission. 3rd Prize, Momentum Exhibition. Toledo, OH, 2018.
Schnuckel, David. The Arts Commission. The Libbey Purchase Prize. Toledo, OH, 2018.
Schnuckel, David. The Corning Museum of Glass. New Glass Review #38. Corning, NY, 2017.
Journal Paper
Schnuckel, David. "Titrations." 2017 Robert M. Minkoff Academic Symposium. (2017): 5. Web.
Schnuckel, David. "Meaningful Gibberish." The Glass Art Society 45th Annual Conference Journal. (2017): 100-101. Print.

Currently Teaching

CGLS-312
3 Credits
This course will introduce students to basic flame working processes. Solid working techniques with borosilicate glass will be covered as ways to activate ideas about making glass move. Basic processes of finishing and further manipulating annealed glass in the cold shop will also be introduced. Students will build technical understanding and material comprehension in the application of these processes. Students will develop projects motivated by themes regarding mechanics, the experimental, and absurdity. ** Fee: A course fee applied via student account**
CGLS-399
0 Credits
Cooperative Education will provide Glass students with hands-on experience in their field, directly related to a student’s major with an established studio or related business. Students will need to apply for co-ops, and interview as part of the selection process, based on available positions posted by the Co-op and Career Services Office, or found through the students’ own research. In programs where co-op is a degree requirement, students must obtain permission of their program or graduate director prior to enrollment. Co-ops are typically paid work experience, and can be part-time (150-479 total hours within the term), or full-time (480+ hours within the term). Co-ops may be one or two consecutive terms - fall, spring, or summer – with department permission
CGLS-498
1 - 6 Credits
Glass Internship is a course that offers students the chance to take advantage of professional opportunities as they arise during their graduate studies. This course is structured on the basis of the individual student’s needs, interests and background preparation as they may be determined through faculty counseling. This course leads to the master’s thesis, proposed by the student and approved by the faculty. Registration with co-op and placement office is required.
CGLS-499
0 Credits
Cooperative Education will provide Glass students with hands-on experience in their field, directly related to a student’s major with an established studio or related business. Students will need to apply for co-ops, and interview as part of the selection process, based on available positions posted by the Co-op and Career Services Office, or found through the students’ own research. In programs where co-op is a degree requirement, students must obtain permission of their program or graduate director prior to enrollment. Co-ops are typically paid work experience, and can be part-time (150-479 total hours within the term), or full-time (480+ hours within the term). Co-ops may be one or two consecutive terms - fall, spring, or summer – with department permission.
CGLS-503
3 Credits
This course is designed for students to build an intermediate technical relationship with glass process and apply them to prompted studio projects and assignments. Course content will include an informative mix of studio instruction to support skill acquisition in the hot shop, kiln shop, cold shop, and flame shop which will equip the student to generate artwork in support of their personal interests, questions, and curiosities in unique instances of studio crossover. The exploration of technique will also lend way to practices of technical exercise, sample collecting, and failure-spurring experimentation of both material and process to further inform the student what their unique relationship to glass can be as they develop the cornerstones of their making practice and artistic identity. ** Fee: There is a course fee applied via student account**
CGLS-504
3 Credits
This course is designed to establish an intermediate understanding and connection to concepts in contemporary glass as they relate to the broader field of contemporary art. Course content will include a chosen thematic focus relevant to issues in the contemporary art conversation that will influence student development through various research assignments, studio assignments, and group activities. Readings, group discussion, written responses, and material research will culminate in self-directed projects based on a proposed topic of student interest and investigation. Students will explore researched themes through conversation, presentations, ideation workshops, and group critiques to better place their personal interests and relationship to glass within a broader conversation of contemporary art. This course may be retaken for credit. **Fee: A materials fee is required for the course, and an additional course fee applied via student account.**
CGLS-506
3 Credits
This course will introduce students to basic glass working processes in the hot glass studio. Solid and blown techniques are introduced as ways to activate ideas through molten glass. Students will learn introductory processes of finishing and further manipulating annealed glass in the cold shop. Students will build technical understanding and material comprehension in the application of these skills through assigned projects motivated by current themes in contemporary art. **Fee: A course fee applied via student account.**
CGLS-599
1 - 6 Credits
Glass undergrad independent study will provide students with the ability to study in a specialized area with an individual faculty member. Students, with the assistance of a faculty adviser will propose a course of study. Glass undergraduate independent study students must obtain permission of an instructor and complete the Independent Study Permission Form to enroll.
CGLS-601
3 Credits
This course is designed to deepen the individual’s understanding and connection to concepts in contemporary glass and art. Course content will include a chosen thematic focus relevant to issues in the contemporary art conversation that will influence student development and the course’s conversation through various assignments and group activities. Readings, group discussion, written responses, and material research will culminate in self-directed projects based on a proposed topic of student investigation. Students will explore research themes through conversation, presentation, and workshops. Additionally, this course will host visiting artists who will contribute through lectures, studio visits and activities pertinent to their practices. This course may be retaken for credit. **Fee: There is a materials fee required for this course and an additional course fee applied via student account.**
CGLS-602
3 Credits
This course is designed to challenge the individual student’s interests, background and capabilities to support a reinvigorated approach to their thinking and making in relation to glass. Course content will include exploration of technique and experimentation through student designed and implemented skill exchanges. Glass studios will be investigated in four-week blocks. Each block will tackle a different studio/technique/material question and will be supported by studio visits, discussions, and punctuated by critique. This course will be retaken for credit and leads to the master’s thesis, proposed by the student and approved by the faculty. **Fee: There is a materials fee required for this course and an additional course fee applied via student account.**
CGLS-606
3 Credits
This course will introduce students to basic glass working processes in the hot glass studio. Solid and blown techniques are introduced as ways to activate ideas through molten glass. Students will learn introductory processes of finishing and further manipulating annealed glass in the cold shop. Students will build technical understanding and material comprehension in the application of these skills through assigned projects motivated by current themes in contemporary art. **Fee: A course fee applied via student account.
CGLS-698
1 - 6 Credits
Glass graduate internship is a course that offers students the chance to take advantage of professional opportunities as they arise during their graduate studies. This course is structured on the basis of the individual student’s needs, interests and background preparation as they may be determined through faculty counseling. This course leads to the master’s thesis, proposed by the student and approved by the faculty.
CGLS-699
0 Credits
Cooperative Education will provide Glass students with hands-on experience in their field, directly related to a student’s major with an established studio or related business. Students will need to apply for co-ops, and interview as part of the selection process, based on available positions posted by the Co-op and Career Services Office, or found through the students’ own research. In programs where co-op is a degree requirement, students must obtain permission of their program or graduate director prior to enrollment. Co-ops are typically paid work experience, and can be part-time (150-479 total hours within the term), or full-time (480+ hours within the term). Co-ops may be one or two consecutive terms - fall, spring, or summer – with department permission.
CGLS-799
1 - 6 Credits
Glass Graduate Independent Study will provide students with the ability to study in a specialized area with an individual faculty member. Students, with the assistance of a faculty adviser, will propose a course of study. Students will produce projects specific to their proposal. **NOTE: Student must have a minimum 3.0 GPA **
CGLS-887
0 Credits
Cooperative Education will provide Glass students with hands-on experience in their field, directly related to a student’s major with an established studio or related business. Students will need to apply for co-ops, and interview as part of the selection process, based on available positions posted by the Co-op and Career Services Office, or found through the students’ own research. In programs where co-op is a degree requirement, students must obtain permission of their program or graduate director prior to enrollment. Co-ops are typically paid work experience, and can be part-time (150-479 total hours within the term), or full-time (480+ hours within the term). Co-ops may be one or two consecutive terms - fall, spring, or summer – with department permission
IDEA-152H
3 Credits
This honors course delves into the way that art and artists contribute to the human experience. In addition to thoughtful dialogue and traditional research, students will develop greater awareness and understanding of society’s relationship to creative expression by engaging with contemporary, vibrant artists in the visiting artists series in the College of Art and Design and the region. Guest lectures, gallery talks, and other experiences will lead students to nuanced understanding of the ways that practical realities and cultural influences intermingle with artists’ themes and intentions to shape creative expression and the artistic contribution to society’s discussion of difficult and important topics.
STAR-718
3 Credits
Students will conduct research appropriate for individual thesis directions, incorporate that research into writing, analyze and review their thesis body of work then produce and publish their written thesis document.
STAR-790
3 Credits
This is the first of two courses designed to advance a student towards completion of their thesis. Students will work independently on their approved proposal while meeting on a regular basis with their committee chair. Students are required to meet at least twice with their full committee during the semester.
STAR-890
6 Credits
For this final thesis course students continue working with their committee to evaluate work produced, and select the work to be exhibited. In addition, students will work with gallery coordinators and curators to install and exhibit their final body of work. Students are expected to defend their work to the committee through an oral defense and a written document.
STAR-892
0 Credits
The Studio Arts Continuation of Thesis course provides student additional semester(s) to complete their thesis research, project, and thesis document.

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