John Monaco Headshot

John Monaco

Visiting Lecturer

School of Design
College of Art and Design

Office Location
[GAN]-[2282]

John Monaco

Visiting Lecturer

School of Design
College of Art and Design

Bio

John Monaco is an internationally recognized exhibition designer, instrumental in bringing one New York's finest art museums to the forefront of the museum industry.

John has, in his thirteen years as an exhibition designer, created an experiential aesthetic that is “elegant, poetic and fearless” and has mastered the art of exhibition development from concept to fruition. John’s dramatic and immersive style has influenced designers from Bhutan to Hong Kong and from London to Toronto and continues to generously serve as a de facto consultant to colleagues around the globe.

Among John’s talents is his unique ability to flesh out a curatorial concept beyond the limits of its original thesis. Not only giving an idea form but bridging the gap between curator and patron. This unique ability also finds itself transcending institutional norms that give way to exciting and innovative new ways of seeing art. This talent is limitless and radiant.

Currently Teaching

MUSE-241
3 Credits
This variable topic course examines one or more methods, concepts, or theories of museum studies and its intersection with art, craft, and design. Whether focusing on the content of collections (i.e., fine art, craft, design, or other disciplines) or the conceptual development of displays informed by a curatorial premise informed by methods, concepts, and theories of museum studies, the course frames art and design collections in relation to exhibition projects. The course centers themes, figures, movements, or issues associated with artistic practice, and/or the historical, cultural, and theoretical questions of exhibitions and display. The topic for the course is chosen by the instructor, announced in the course subtitle, and developed in the syllabus, particularly through the readings and deliverables. The course can be taken multiple times provided that the topic is different. The artistic framing for these topics may center one or both of the following areas of inquiry: art, craft, and design as the subject of the course (i.e., focusing on the collections held by RIT at the Dyer Arts Center, Cary Graphic Art Collection, and Vignelli Center for Design Studies) and/or creative approaches to deliverables, from ideation to presentation in one of the gallery spaces at RIT, or in another exhibition space (including online).