Peter Murphey Headshot

Peter Murphey

Senior Lecturer

School of Film and Animation
College of Art and Design

585-475-2743
Office Location

Peter Murphey

Senior Lecturer

School of Film and Animation
College of Art and Design

Education

BFA, Massachusetts College of Art; MFA, The Art Institute of Boston

Bio

Peter Murphey worked as an animator, designer, cartoonist, and storyboard artist for over fifteen years. His clients have included The Cartoon Network, Olive Jar Studios, and Handcranked Productions. His illustration and cartoon work have appeared in Star MagazineSoap Opera Weekly, and True News. He has done comic book work for a variety of publications including the Lost and Space series for Innovation Comics. His daily comic strip, “Hippy and Pop” was syndicated by King Features in 2002. His animated films have screened in festivals all over the world.

He has been teaching animation for over 15 years, beginning at The Art Institute of Boston (now Lesley University College of Art and Design, in Cambridge, Massachusetts) and is currently a Senior Lecturer of Animation at RIT.

585-475-2743

Areas of Expertise

Select Scholarship

Shows/Exhibits/Installations
Murphey, Peter. Since. Now. After. 1 Oct. 2020. Montreal International Animation Film Festival - ANIMAZE, rochester. Exhibit.
Murphey, Peter. "Seen Again" Animated Film. n.d. Film Festivals Various Cities, New York, Chico, Toronto, Kansas City, Los Angeles, Athens (Greece). Exhibit.
Invited Article/Publication
Murphey, Peter. "The Life of a Still Image: Comics vs. Animation." Norman Rockwell Museum. (2016). Web.

Currently Teaching

SOFA-107
3 Credits
This course will introduce the concepts and mechanics of movement for animation, focusing on, but not limited to, character based movement. Animation principles will be introduced and applied using hand-drawn methods, which will serve as the foundation for their application in any desired medium. Weekly exercises will be recorded using standard animation software, and will be reviewed, discussed and open to group critique.
SOFA-203
3 Credits
This course focuses specifically on the sequential stages of hand-drawn digital animation. Students will explore every stage of production of a short animated scene, including dialogue, from ideation to clean up. Each week builds on the previous week’s progress. The final result is a complete rough-animated scene.
SOFA-303
3 Credits
Students will explore phases of animation short film production in their area of interest as determined by their experiences with their second-year films. Through identification of project needs and exploration and fulfillment of determined objectives, unique filmic assets will be created.
SOFA-411
4 Credits
The first of two classes designed to advance students toward the completion of a capstone. It will advance students from capstone proposal toward the completion of a project. Students will also take part in weekly critiques to present their work and discuss the work of their classmates. At the completion of this course, students should be at the halfway point of their set project.
SOFA-501
1 Credits
This course will allow students the opportunity to receive feedback on their in-progress capstone project. Students will be required to submit their work by a determined deadline and then take constructive feedback. At the completion of this course, students will decide how to implement the criticism they received with their advisor to better their work. 20 hours of class over one weekend in fall semester.
SOFA-599
1 - 6 Credits
SOFA Independent Study will provide students with the ability to study in a specialized area with an individual faculty member. Students, with the assistance of a faculty adviser, should propose a course of study or project with clearly defined deliverables. Students must obtain permission of an instructor and complete the Independent Study Permission Form to enroll. Student must have a minimum of a 3.0 GPA to apply.
SOFA-618
3 Credits
This class will be geared toward the small animation business owner, the studio employee, and the individual freelance animator. The course will discuss the setting up of a small business and all of its operations. The elements of discussion will teach students how to approach animation work in the industry from a small business perspective and from an individual approach. The class will discuss the creation of sample reels, websites, self-promotion, contracts, negotiation, pitching, fund-raising, research and interview techniques all related to the individual animator. Crowdfunding and grant writing will be discussed. There will be guest interviews from animation professionals. Discussions of ethics and individual responsibilities will be covered.
SOFA-622
3 Credits
An introduction into the world of producing television commercials or other 30 second films. Major emphasis will be placed on learning to generate and intensify a personal statement through creative projects. Work is critiqued weekly by the instructor and class. Students execute the production of a completed 30 second film.
SOFA-790
4 Credits
This is the first of two courses designed to advance a student towards completion of their thesis. Students will work independently on their approved plan of work for their thesis while meeting on a regular basis with their committee chair. They are required to meet at least twice with their full committee during the semester.
SOFA-799
1 - 4 Credits
Film and Animation Graduate Independent Study will provide students with the ability to study in a specialized area with an individual faculty member. Students, with the assistance of a faculty adviser, should propose a course of study or project with clearly defined deliverables. Students must obtain permission of an instructor and complete the Independent Study Permission Form to enroll. Student must have a minimum of a 3.0 GPA to apply.
SOFA-890
4 Credits
This is the second of two courses designed to advance a student towards completion of their thesis. Students will work independently on their approved plan of work for their thesis while meeting on a regular basis with their committee chair. They are required to meet at least twice with their full committee during the semester as well as present a final screening of their thesis.

In the News

  • July 18, 2019

    two people holding book called Ink and Paint.

    Podcast: Women in Animation 

    Intersections: The RIT Podcast, Ep. 19: The important role that scores of female artists played in the origins of animated imagery at Disney has long been overlooked – until now. Mindy Johnson, author and awardwinning playwright, talks with RIT assistant professor, animator and cartoonist Peter Murphey about what up-and-coming artists can learn from the invisible history of these trailblazing women.

Featured Work