Erica Haskell
School Director
Erica Haskell
School Director
Bio
Erica Haskell is the Inaugural Director of the School of Performing Arts and Professor of Ethnomusicology. She holds a Ph.D. and MA in ethnomusicology from Brown University and a BA in music performance from Mills College (C. She has taught courses in The Politics of Music, Film Music, Illegality in Theater and Music, World Music and American Roots Music. From 2019-2022 she served as the Oskar Schindler Humanities Endowed Professor at the University of New Haven during which she, and her students, produced several podcasts about refugee musicians based on ethnographic interviews they conducted in Connecticut. At the University of New Haven she also served as Associate Dean of the College of Arts and Sciences among other leadership positions.
Haskell is the co-founder of Free Dirt Records, a record label that also offered distribution, management and publishing administration services. In the last few years label artists have received three Grammy nominations. Free Dirt has released albums by Pokey LaFarge, Anna and Elizabeth, Hazel Dickens & Alice Gerard, Willi Carlisle, Jake Blount, Che Alpalache Rachel Baiman, Vivian Leva and The Wilders among others.
She is also co-producer of the critically acclaimed American folk music album Starlight on the Rails by U. Utah Phillips released on AK Press and Daemon Records. Haskell founded a music-recording project in three Hungarian refugee camps which was the subject of articles about refugee music in the Utne Reader and ai magazine (Art International).
In her scholarly work she has explored the politics of music, applied/activist ethnomusicology, and the involvement of international humanitarian organizations in cultural events and projects in Bosnia-Herzegovina. She is particularly interested in the interaction between and intersection of cultural activities (such as radio, festivals and record production which are the subjects of three of the case studies) and international projects in humanitarian assistance, democracy assistance, economic development, peace initiatives and civil-society building within the context of historical periods of occupation. Her chapter, "The Role of Applied Ethnomusicology in Post-conflict and Post-catastrophe Communities", was published in The Handbook of Applied Ethnomusicology by Oxford University Press in 2019 and "Funding Festivals: Bringing the World to the Capital, Sarajevo" was published in Muzikoloski Zbornik (Musicology – Institute of Musicology, Serbian Academy of Sciences and Arts in January of 2017.
In the News
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September 3, 2024
RIT/NTID and School of Performing Arts present 2024-2025 theatrical and dance season
The 2024-2025 theatrical season will include thrillers, whimsical classical adaptations, a take on a popular Broadway show, and a reimagined look at The Nutcracker set in 1940s Harlem, among others.
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April 22, 2024
The SHED marks its Imagine RIT debut April 27
The SHED, touted as the new heartbeat of campus, makes its Imagine RIT debut this year. This multi-use facility embodies RIT's blend of technology, the arts, and design, offering a vibrant hub for creativity, interdisciplinary learning, and innovative performances year-round.
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April 16, 2024
Six-hour RIT Unlabeled Music Festival takes over the SHED on April 20
RIT's second annual Unlabeled Music Festival, part of SpringFest 2024, will showcase over 40 student acts across four stages in the innovative SHED building on April 20. From rock bands to a cappella and electronic music, the festival highlights the growing interest and talent in performing arts at RIT.