MCSL Research
Munsell Color Science Laboratory Research
RIT’s Program of Color Science and Munsell Color Science Laboratory have a rich history of education and research dating back over 30 years to the early 1980s. Well over 100 graduate-program alumni have helped produce about 1000 journal papers and conference proceedings in areas such as spectroscopic and colorimetric instrumentation, color modeling and formulation, chromatic adaptation and color appearance, color matching functions and metamerism, color difference perception and prediction, image perception and reproduction, measurement and conservation of cultural heritage, and many more.
Going forward, these research initiatives will be expanded in an even more multidisciplinary fashion. The program and lab will work closely with researchers in the fundamental scientific disciplines of biology (human and animal vision), chemistry (colorants and formulation), physics (optical spectroscopy and illumination sources), mathematics (modeling of systems and observers), and psychology (understanding color perception). In addition, and in step with RIT’s strong history in applied research, we will pursue the applications of color science to a wide variety of technology areas including photography, imaging, textiles, computing, materials, photonics, lighting, sustainability, systems engineering, architecture, packaging, printing, gaming, cinema, and design.
Please see the pages linked here for some archives of information from past student and faculty projects and visit the individual faculty web pages for more detailed research information and opportunities.
Annual Reports
Each calendar year, the faculty, staff, and students of PoCS/MCSL gather some highlights of the past year into an annual report for our friends, supporters, alumni, and others. These reports also include a record of the journal publications, conference presentations, and other accomplishments of the group. They are also good references for lists of then-current students and a running list of MCSL alumni. Please take a moment to download and review our latest annual report (or historical reports dating back to the lab's founding).
- Annual Report 2023
- Annual Report 2022
- Annual Report 2021
- Annual Report 2020
- Annual Report 2019
- Annual Report 2018
- Annual Report 2017
- Annual Report 2016
- Annual Report 2015
- Annual Report 2014
- Biennial Report 2012-13
- Annual Report 2011
- Annual Report 2010
- Annual Report 2009
- Annual Report 2008
- Annual Report 2007
- Annual Report 2006
- Annual Report 2005
- Annual Report 2004
- Annual Report 2003
- Annual Report 2002
- Annual Report 2001
- Annual Report 2000
- Annual Report 1999
- Annual Report 1998
- Annual Report 1997
- Annual Report 1996
- Annual Report 1995
- Annual Report 1994
- Annual Report 1993
- Annual Report 1992
- Annual Report 1991
- Annual Report 1990
- Annual Report 1989
- Annual Report 1988
- Annual Report 1987
- Annual Report 1985-86
- Annual Report 1984-85
Past and Present Sponsors
- 3M
- Apple
- Applied Science Fiction
- Avian Technologies
- BASF
- BYK-Gardner
- Canon
- Canon Development Americas
- Center for Operator Performance
- Colorcurve
- CyberChrome
- Cypress Semiconductor
- DataColor International
- DCI
- Detroit Color Council
- R.R. Donnelley
- Dupont
- Eastman Kodak
- E-Color
- EIZO
- Entertainment Experience LLC
- Epson
- Epson America
- ETC
- FujiFilm Corporation
- Fuji Xerox
- Fujitsu
- Geospatial Systems Inc.
- Gemological Institute of America
- GretagMacbeth
- GTI
- Hallmark
- Hewlett-Packard
- HunterLab
- IBM
- Intel
- IC Media
- Inter-Society Color Council
- Iris Graphics
- KonicaMinolta
- Labsphere
- Lexmark
- LG Displays
- LG Electronics
- LMT
- Lumiére Technology
- Management Graphics Miles
- The Andrew W. Mellon Foundation
- Milton Roy
- Microsoft
- Munsell Color
- The Museum of Modern Art
- Mutoh America
- The National Gallery of Art
- National Science Foundation
- NEC
- NHK
- Nikon
- NYSTAR
- Oce
- Okidata
- Omnivision
- Onyx Graphics
- Panasonic
- Pantone
- Pentax
- Philips
- Photo Research
- Pixel Physics
- Pixim
- Polaroid
- Qualcomm
- Ricoh Innovations
- RIT Research Corporation
- Samsung
- SeikoEpson
- Sharp Labs
- Sinar AG
- SunChemical
- Technicolor R&I
- Toppan
- Sony
- Tektronix
- Texas Instruments
- U.S. Army Night Vision and Electronic Sensors Directorate
- Sensors Directorate
- Velmex, Inc.
- Xerox
- X-Rite
Student Research
This is a collection of past research results, often in the form of student theses or unpublished technical reports.
Observer Function Database
This is a database of observer functions (color matching functions) that were derived in a PhD thesis work of Yuta Asano. The database includes individual colorimetric observer model, categorical observers, and estimated CMFs for 151 color-normal human observers.
More info about the Observer Function Database
Introducing (pronounced Waypoint) Wpt
A normalization methodology has been developed that linearly transforms sensor values / cone excitations (or linear transforms of sensor excitations) into a material color equivalency representation that can be used as a waypoint for defining Material Adjustment Transforms. The normalization process adjusts for the white point and independently preserves the perceptive aspects of lightness, chroma, and hue resulting in an opponent like coordinate system designated by the axes W, p, and t.
More info about Wpt
Introducing WLab
A set of invertible non-linear transforms was derived that adjusts Wpt (Waypoint) coordinates to and from a more perceptually uniform coordinate system (WLab or Waypoint-Lab) that allows for the advantageous features of Wpt to be directly applied to situations where other standard color spaces are typically used.
More info about the WLab
Euclidean Color Spaces
A movie [Euclid2CIEDE2K (3).mov] of how the CIEDE2000 system is embedded into an Euclidean space.
iCAM06: HDR Rendering
The latest High Dynamic Range rendering model.
Advanced Image Quality Studies of LCTVs
Detailed image quality analyses of liquid crystal televisions.
Helmholtz-Kohlrausch Effect
The Perceptual Amplification of Color for a Common Computer Monitor: Helmholtz-Kohlrausch at Work on the Desktop Computer
Fluorescence Measurement
Evaluation of Bispectral Spectrophotometry for Accurate Colorimetry of Printing Materials
Hue correction Look Up Tables
These tables (LUTs) are used to transform CIELAB coordinates to and from Hung & Berns hue-corrected space. This information pertains to Appendix H of the Ph.D. dissertation A Paradigm for Color Gamut Mapping of Pictorial Images, by Gustav J. Braun,RIT, 1999. See LSO P.Hung and R.Berns, "Determination of Constant Hue Loci for a CRT Gamut and Their Predictions Using Color Appearance Spaces," Color Res Appl 20, 285-295, 1995.)
There are two plain text, tab-delimited ASCII files: forward transform and inverse transform. The data from these files can be used to estimate the destination hue for any given input color, specified by its [Cab*,hab] coordinates, using bilinear interpolation.
Evaluating Color Matching Functions
Research on evaluating the 1931 CIE color matching functions.
Spectral Sensitivities
Evaluation and Optimal Design of Spectral Sensitivities for Digital Color Imaging.
Paint Research (Yoshio Okumura, 2005)
Developing a Spectral and Colorimetric Database of Artist Paint Materials.
Art-Spectral Imaging
Visit the Art-Spectral Imaging website.
Archived Research
Bechmarking Art Image Interchange Cycles
This is a collection of past research results, often in the form of student theses or unpublished technical reports.
Many cultural heritage institutions are currently spending significant resources photographing their works of art for a variety of applications with distinctly different requirements. To create reproductions of their artwork, cultural heritage institutions employ a range of technology and a variety of workflows. A similar variety is used to publish these images in a number of output media. This project was undertaken to explore these workflows, their requirements, and the resulting image quality of the reproductions produced.
The main goals of this project were to: (1) determine the image quality inherent in the art image interchange cycles in use today, (2) understand the image quality expectations of the users, and (3) develop the capability to tie the two together. The three-year project started in April 2008 with financial support from The Andrew W. Mellon Foundation. (download final report 32MB PDF)