An early sunset didn’t deter the large crowd gathered at the National Susan B. Anthony Museum & House and the surrounding neighborhood for the RIT Big Shot on Sunday, Nov. 6. The community came together to shine a light on voting rights and equal rights as part of the annual photography project hosted by Rochester Institute of Technology.
Big Shot 35 featured the National Susan B. Anthony Museum & House, the neighborhood surrounding Susan B. Anthony Square Park, and the park’s signature bronze sculpture, titled “Let’s Have Tea.” The event was strategically timed two days before Election Day on Nov. 8.
“It was really important that we did this particular photograph two days before Election Day because of Susan B. Anthony’s legacy and the importance of equal rights and voting rights. This event is not about RIT or even the Big Shot. It’s really about the National Susan B. Anthony Museum & House,” said Eric Kunsman, co-coordinator of the Big Shot and assistant professor at RIT’s National Technical Institute for the Deaf.
Hundreds turned out for the event on the unseasonably warm night. The crowd was filled with chatter and a palpable excitement in anticipation of a Big Shot first: taking two long-exposure images simultaneously. The ambitious project attracted Mia Basilio, a second-year fine art photography student from Morgantown, Pa. This was Basilio’s first time taking part in the Big Shot.
“I love long-exposure photography and I do a lot of it in my own work, so the idea of everybody working together to make one big long exposure is really cool,” said Basilio. “It’s also a great opportunity to make connections and just experience different parts of the city and meet different people.”
Big Shot co-coordinators Kunsman and Dan Hughes, lecturer in the College of Art and Design, expressed gratitude for being able to bring the project back into the Rochester community for the first time since the start of the COVID-19 pandemic. The team initially planned to shoot at the historic museum in March 2020, but it was postponed.
“The beauty of the RIT Big Shot and the reason why folks participate is because it’s fun,” said Hughes. “The timing of working with the Susan B. Anthony Museum and House was key here. The original event was planned to celebrate 100 years of women’s suffrage and Susan B. Anthony’s 200th birthday, so starting it back up was important and still absolutely relevant given the state of the United States right now.”
RIT’s 35th Big Shot was sponsored by Kodak, Nikon, the City of Rochester, the 1872 Cafe, the Susan B. Anthony House & Museum, and RIT’s National Technical Institute for the Deaf and the College of Art and Design.
About RIT Big Shot
The RIT Big Shot, described as “painting with light,” engages student and community volunteers by asking them to provide a light source while RIT photographers shoot an extended exposure image. It’s a signature event for RIT’s College of Art and Design and is led by the School of Photographic Arts and Sciences (SPAS), which is nationally recognized for its degree programs.
RIT started its Big Shot project in 1987. The event has traveled to a number of national landmarks and twice crossed the Atlantic Ocean. Through their viewfinders, RIT Big Shot photographers have captured landmarks in the United States such as Kodak Tower in Rochester; Churchill Downs in Louisville, Ky.; the Alamo in San Antonio; and the Smithsonian National Museum of the American Indian in Washington, D.C. Internationally, the RIT team has captured Pile Gate in Dubrovnik, Croatia, and the Royal Palace in Stockholm, Sweden.
To learn more about the project and view photographs of past Big Shot images, go to the Big Shot Facebook page or the Big Shot webpage. The project also can be followed on Twitter at @RITBigShot along with the hashtag #RITBigShot.
