News

The inaugural Women, Gender, and Sexuality Studies symposium, hosted on March 28, will feature original work by individuals from across the RIT community.

Mastercard speaks to computing and information technologies student Jared Husson about cybersecurity job training for deaf students.

RIT’s game design and development program was ranked sixth at the undergraduate level and 10th at the graduate level in new international rankings from The Princeton Review.

Outsourced Pharma talks to Tony Sampognaro '23 (Executive MBA) about how his degree has enhanced his abilities in navigating the business complexities of Contract Development and Manufacturing Organizations.

Deeply interested in how disease shapes children's lives, her experience interacting with pediatric cancer patients, survivors, and family members at Camp Good Days has enhanced her RIT education with interpersonal skills that are difficult to learn through textbooks.

Chad Cooper '19 MFA (visual communication design) is a senior product designer - design systems for Spotify, where he helps deliver the audio streaming platform’s visual look and feel for more than 600 million users.

WXXI's Connections with Evan Dawson features Lauren Hall, associate dean in the College of Liberal Arts.

The New York Times features the love story of alumnus Jerald Creer and his husband, Kent Williams.

The New Straits Times speaks to Patricia Moore '74 (industrial design).

Campus Connect provides programs that help students engage with faculty, participate in workshops, and connect with peers, all in a convenient residence hall location.

Natalie Crowell and Olivia Croteau, both third-year humanities, computing, and design majors, are developing an AI tool that analyzes publicly available social media data, specifically from chat groups where refugees discuss needs related to housing, food, and other resources.

Associate Professor Meredith Davenport’s personal memoir history project, recognized by The Aftermath Project, is a tapestry of historical research, photography, poetry, and fine art used to explore her family’s role in enslavement dating back to the late 1700s.